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20-21 Composer Fellows

Arie Verheul van de Ven

Arie Verheul van de Ven is a composer and violist currently based in Toronto. In his recent work, Arie has been exploring geographic relationships and the experience of location through sound. The Covid-19 pandemic has led to an exploration of different possibilities of remote music making and creating music that is unique to an online space, furthering his exploration of location and distance through sound making. Arie is currently a Composer-in-Residence with the Gather Round Singers, a community choir that has been regularly meeting virtually since March 2020. Together they have developed two new works: Remote Choir Etudes and In This Moment, both written specifically for virtual performance. As a violist Arie regularly performs with Ontario-based free improv ensemble HARP+ along with harpist Grace Scheele and synthesist Dave Klassen. Their recent project Homecomings was performed remotely over an interactive website developed by creative coder Jamie Christopher Webber. Arie is pursuing his Master’s degree at the Netherlands’ Royal Conservatoire in The Hague where he studies with Peter Adriaansz & Yannis Kyriakides. Previously he has studied with Linda Catlin Smith, Cameron McKittrick, Kaythryn Ladano and Christine Vlajk.


Matthias McIntire

Matthias McIntire is a composer, violinist, violist, electronic musician, improviser and music educator active across a broad spectrum of contexts. Some of Matthias’ recent compositional highlights include a successful Toronto Arts Council commissioning grant to compose a song cycle for self-accompanied soprano/pianist Rachel Fenlon, a new work for violinist Andrea Tyniec, large ensemble and live electronics, first prize in the Costello Composition Competition (Curtis Institute, Philadelphia), as well as performances of his work at New Music Concerts (Toronto), the Canadian Music Centre (Toronto), TEDxUofT, the New Art/New Media Festival (Ottawa), the San Francisco Centre for New Music and at the New Music for Strings Festival (Iceland). Matthias has developed a personal, expressive compositional voice that blends influences from his eclectic background in performance (violin/viola/voice/electronics), Western classical/new music, as well as jazz, fiddle, free improvisation, field recording, foley art and electronic music. Personal expression, connection with others, love of nature, the urgency of climate change and his time spent in places around the world are some of the recurring themes in his pieces. Matthias recently graduated from the University of Toronto where he received a Doctor of Musical Arts in Composition under the guidance of Christos Hatzis and Eliot Britton. Equally comfortable in his roles as composer and performer, in classical, new music, and improvised music settings, Matthias is establishing a varied career that keeps him on his toes.


20-21 HPO Future Award Recipients

Nathalee Jacques

Nathalee Jacques (b. 1996) is pursuing her Master of Music Composition at the University of Ottawa, studying with Kelly-Marie Murphy, where she previously completed an Honours Bachelor of Arts in Music in 2018. During her undergraduate, she had the opportunity to study with John Armstrong and Frederic Lacroix. Nathalee’s work embodies aspects of her life, creating pieces that are reflective and accessible. She has written solo work and music for numerous ensembles such as chamber ensembles, marching band and string orchestra, and is continuing to develop her electro-acoustic repertoire. She hopes to further expand her focus to reflect on current issues such as feminist issues and reflection and inclusion of the BIPOC community.





Sophie Dupuis

Sophie Dupuis is a composer from New Brunswick interested in acoustic, electroacoustic and interdisciplinary art music. She finds her voice in the picturesque scenery of the Maritimes where she spent her childhood, her attraction to raw electrical sounds and her intense emotional response to art involving the human body and voice. A recent graduate of the Doctor of Musical Arts program in Composition from the University of Toronto, Sophie now works on developing her skills with live and fixed electroacoustics and collaborating with performers on projects for their instrument. Aside from her activities as a composer, she is as a violinist, arranger and music educator in Ottawa and the President of the Canadian League of Composers since 2020. Sophie also holds a Bachelor of Music from Dalhousie University and a Master of Music from the University of Toronto.



19-20 Composer Fellows

Andrew Clark

Andrew James Clark is a multi-faceted Canadian composer currently residing in Toronto. Having pursued graduate composition studies at the University of Toronto and served as the Composer-in-Residence of the University of Toronto’s Wind Ensemble, he is also Artistic Director of Classical Context, a concert series founded by students from the university providing a hybrid of new music and traditional repertoire to general audiences through lecture presentations. Andrew also holds the position of Principal Pianist at Heron Park Baptist Church. His piece The Valley of the Dry Bones was recently published by Counterpoint Library as part of their Young Composers Series and he was also recently granted a conducting apprenticeship with Orchestra Toronto to be carried out during the months of March and April 2018. Recent awards include The University of Toronto’s 2016 Gordon Cressy Student Leadership Award in recognition of Andrew’s efforts in sustaining a music therapy program for elderly homeless musicians located in the downtown core. He has also been awarded the Gabriella Dory Prize in Music and the William Erving Fairclough Scholarship for graduating with the highest standing in U of T’s Undergraduate Composition Program, while also being the chosen recipient of the CNEF Eamonn O’Loghlin scholarship merited by his writings concerning the negative impacts of consumerism on our artistic culture. Andrew is currently a theory, harmony and history classroom instructor in Scarborough’s Musical World F.A. Group, and a piano teacher at Dixon Hall’s Music School.


Luis Ramirez

Originally from Aguascalientes, Mexico, Luis began an early career as a pianist, and his interest in composition emerged as a consequence of performing contemporary music. He started his Bachelor studies at the Aguascalientes University and in 2012 he received a full scholarship to study at Brandon University in Manitoba, where he earned his Bachelor of Music degree in Piano Performance and subsequently a Master of Music degree in 2016 studying with Alexander Tselyakov. The following year he obtained a Master of Music degree in Composition with Dr. Patrick Carrabré at the same institution. Luis has been awarded numerous scholarships and has performed across Mexico, Canada, Italy and Serbia. He has had multiple works commissioned, with premieres at the Casalmaggiore Festival in Italy, AugustFest in Manitoba, Festival Cervantino and in Brandon, Manitoba. Recently, his work Chido was premiered by the Winnipeg Symphony Orchestra during the Winnipeg New Music Festival 2018 as winner of the CMC Prairie Region Emerging Composer Competition, and was awarded the first prize of the Sir Ernest MacMillan Awards of the SOCAN Foundation. An eclectic musician, Luis has toured as a classical pianist, performed Latin-American music in jazz festivals as a member of the Indestructible Band, conducted the Brandon Community Orchestra, presented his academic research at several conferences, and is currently a member of the Amarras Tango Quintet. He is pursuing doctoral studies at York University in Toronto with Randolph Peters.


Stephanie Orlando

Stephanie Orlando is a composer and collaborative pianist based in Toronto. Her music has been performed worldwide by performers and ensembles such as Femmelody Chamber Music Collective (New York City), Stereoscope Saxophone Duo (Toronto) junctQin Keyboard Collective (Toronto), Thin Edge New Music Collective (Toronto), Penderecki String Quartet (Waterloo), Arcady Singers (Brantford) and Jeff Stonehouse (Montreal). She has also collaborated with choreographers Kylie Thompson (Toronto), Ming-Bo Lam (Toronto), playwright Laureen Damarren (Waterloo) and visual artist Diane Eastham (Waterloo). She is the first place recipient of the 2019 SOCAN Young Composer Pierre Mercure Award and runner up for the 2018 Creative Women at the end of the First World War Composition Competition for her work Scatterbrain for soprano and flute. She also held a residency with the National Youth Orchestra of Canada in the 2019 season supported by the SOCAN Foundation to workshop the work phases of the moon for string orchestra. With experience writing for a variety of styles and instrumentation, Stephanie has a special interest in mixed media composition and using technology in combination with classical instruments. Her catalogue contains works for orchestra, chamber ensemble, piano, voice, and electronics. Stephanie has composed music for a variety of mediums including opera, theatre, dance, and film. Her music is filled with traditional, contemporary, and pop culture influences. As a musician from mixed musical backgrounds, Stephanie is interested in exploring the boundaries of genres, where they are compatible and what they can create when blended. By exploring different genres in her music, she creates a more accessible listening experience for audiences of different backgrounds, inspiring a new musical language influenced by popular music of our time. As an advocate for underrepresented voices in new music, she frequently explores socially relevant topics in her work such as mental illness, gender roles and internet culture. Stephanie holds a Bachelor Degree in Music Composition from Wilfrid Laurier University, a Masters degree in Music in Composition from the University of Toronto and an ARCT diploma in Piano Performance from the Royal Conservatory of Music. She is currently pursuing a Doctor of Musical Arts in Composition at the University of Toronto.


Paul Lessard

The music of Toronto-based composer Paul Alexander Lessard has been heard at concerts and festivals across North America. Originally from south-central Pennsylvania, Lessard has crafted a deeply personal musical language with a uniquely exciting approach to rhythm. He is also keenly interested in videogame music, often choosing to incorporate forms and structures associated with that idiom into his classical works. Conversely, his growing number of video game soundtracks often feature his trademark rhythmic vocabulary. An ever-increasing number of ensembles have read and performed Lessard’s works, including the Winds of the Scarborough Philharmonic Orchestra, the University of Toronto Saxophone Ensemble, the University of Florida Wind Symphony, the Catalyst Saxophone Quartet and many others. Upcoming performances include Lessard’s UK debut as the Trinity Laban Saxophones perform his saxophone ensemble works Some Items, Fox Preferred, Penultimate Destination, and the world premiere of Death Stick (composed for Canadian saxophonist Brendan Catalano) at the North American Saxophone Alliance conference in March 2020. Lessard holds degrees in Physics, Saxophone Performance and Composition from the University of Florida and Gettysburg College. His past teachers include James Paul Sain, Paul Richards and Avner Dorman, and he has participated in masterclasses with Dorothy Chang and Toshio Hosokawa.



18-19 Season Composer Fellow

Canadian-born composer Liam Ritz is currently based in Toronto, Ontario. Liam’s works have been performed in numerous festivals and workshops including the 2014 and 2016 Canadian Contemporary Music Workshops, 2016 Scotia Festival of Music, 2017 University of Toronto New Music Festival, 2013 and 2017 Hamilton Philharmonic Orchestra What Next Festival and the 2017 Orford Music Academy. Most recently, Liam was awarded the Pierre Mercure SOCAN Foundation Young Composers Award and the William Erving Fairclough Graduating Scholarship for top-standing within the University of Toronto Faculty of Music. Liam recently completed a Bachelor of Music in Composition at the University of Toronto.

As the 18-19 Season HPO Composer Fellow, Liam Ritz was commissioned to write a piece premiered at the Intimate & Immersive concert In the Groove on May 23, 2019.

Photo courtesy of Kristian Fourier.



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